專(zhuān)訪(fǎng)：建筑作為一種呈現的媒介
2018-12-10
民生美術(shù)館是基于一個(gè)80 年代的工業(yè)建筑改造而成。它以開(kāi)放性、多元性、靈活性，對今天美術(shù)館的封閉性、單一性及固定性提出了挑戰，將會(huì )成為 中國當代藝術(shù)的最大的公共平臺。
Minsheng Contemporary Art Museum is a renovation of an old factory from the 1980s. Its openness, diversity, flexibility make it different from typical galleries,； which are always monotonous and secluded. It will be the largest public dedicated exhibition space for Chinese contemporary art.
▼美術(shù)館外觀(guān)，external view
快速的城市化，不僅為我們創(chuàng )造了物質(zhì)文明的遺產(chǎn)，也為我們身后制造了大量的廢棄物。我們喜新厭舊的心理，讓眾多老建筑遭到遺棄。798 地區的松下顯像管廠(chǎng)已不再有過(guò)去近30 年的輝煌，遍體鱗傷 ，滿(mǎn)目瘡痍，雖然破舊，不美，但卻透出工業(yè)建筑的粗獷，質(zhì)樸與真實(shí)。這些特征恰和當代藝術(shù)的的態(tài)度不謀而合。 民生現代美術(shù)館的想法正是在這種基礎上誕生，它尊重工業(yè)建筑樸素，真實(shí)的特質(zhì)，順勢而為，無(wú)用之用，直指當代藝術(shù)空間的未來(lái)，挑戰傳統美術(shù)館的冠冕堂皇。
The rapid urbanization brings us not only material civilization heritage, but also a huge amount of wastes. The propensity of love the new and loathe the old causes many old buildings being abandoned. The Panasonic factory at 798 area is devastated and ruined, but its rough, plain and real industrial building features happen to coincide with the attitude of contemporary art. The concept of Minsheng Contemporary Art Museum derives from the above, it respects the simplicity and reality of industrial buildings, aiming at the future of contemporary art space, challenging the high-sounding traditional art museum.
Minsheng Contemporary Art Museum is a renovation of an old factory from the 1980s. Its openness, diversity, flexibility make it different from typical galleries,； which are always monotonous and secluded. It will be the largest public dedicated exhibition space for Chinese contemporary art.
▼美術(shù)館外觀(guān)，external view
快速的城市化，不僅為我們創(chuàng )造了物質(zhì)文明的遺產(chǎn)，也為我們身后制造了大量的廢棄物。我們喜新厭舊的心理，讓眾多老建筑遭到遺棄。798 地區的松下顯像管廠(chǎng)已不再有過(guò)去近30 年的輝煌，遍體鱗傷 ，滿(mǎn)目瘡痍，雖然破舊，不美，但卻透出工業(yè)建筑的粗獷，質(zhì)樸與真實(shí)。這些特征恰和當代藝術(shù)的的態(tài)度不謀而合。 民生現代美術(shù)館的想法正是在這種基礎上誕生，它尊重工業(yè)建筑樸素，真實(shí)的特質(zhì)，順勢而為，無(wú)用之用，直指當代藝術(shù)空間的未來(lái)，挑戰傳統美術(shù)館的冠冕堂皇。
The rapid urbanization brings us not only material civilization heritage, but also a huge amount of wastes. The propensity of love the new and loathe the old causes many old buildings being abandoned. The Panasonic factory at 798 area is devastated and ruined, but its rough, plain and real industrial building features happen to coincide with the attitude of contemporary art. The concept of Minsheng Contemporary Art Museum derives from the above, it respects the simplicity and reality of industrial buildings, aiming at the future of contemporary art space, challenging the high-sounding traditional art museum.